Through his windows, Guido Nincheri, “Canada’s Michelangelo,” speaks a timeless message every day in our sacristy, while the prayers in Latin used to invite us to prepare well for every celebration of the liturgy.
Fr. Michael Prieur



 

Sacristies, or vestries, in older churches breathe reverence through their sights and smells. Sometimes, they are fairly large, somewhat musty rooms next to the sanctuary. They often house huge, wood cabinets containing sacred vessels such as chalices as well as vestments, vases, altar linens, liturgical books, and countless other liturgical accoutrements. Young eyes are agog at seeing the place where priests and their attendants prepare for services. The antechamber to God’s sanctuary is no ordinary room.

The four windows on either side of our sacristy quickly capture visitors attention. Quite different from those in the rest of the chapel, these are done in a fully painted Victorian style in which the paint is applied over coloured or clear glass. The colours are much brighter hues of red, green, and gold than the Neo-Gothic windows in the chapel. The use of acanthus leaves in these windows is also typical of this style. The windows have no human figures.


Created by the Italian-Canadian artist, Guido Nincheri (d. 1973), whose name appears on the right-hand window as one enters, they indicate how determined Bishop Fallon was to have his chapel decorated by the best craftspeople he could find. Fr. Murray Watson, a graduate of our seminary, wrote an article in St Peter’s Seminary Alumni Bulletin about Nincheri’s work in North America, giving the artist the title of “Canada’s Michelangelo.”

 

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