Robert McCausland Limited of Toronto, Ontario, the oldest stained glass studio in North America, created and installed the sixty-four panes in the fourteen three-storey windows set high in the chapel walls. James Ramsden designed the windows; Edward Law painted them, and Albert Thompson did the cutting. Fr. Prieur suspects that Fr. Dennis O’Connor, the second rector (1913-1930), assisted the McCausland team with the skilfully orchestrated plan of the nave windows.

In late February, 2000, Chris and Harry clambered up a thirty-foot high scaffold for two weeks, coordinated by Neil from the chapel floor. Using a Linhof 4x5 view camera, they photographed each window and pane, producing magnificent transparencies. They lit the chapel interior to balance the brilliant light coming through the windows so the pictures would show the window settings and not just the scenes out of context.

With his keen eye for good typography and for designs that work from the reader’s perspective, Brian developed a contemporary design with touches of medieval flourish that organized the many elements into a satisfying whole. A full-service graphic designer, Brian coordinated the printing, and he even persuaded Fr. Prieur to write reflections for the biblical windows for those he had done for the windows in the nave.